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rebirth

by lucia schettino

Si può pensare alle quindici carte come a frammenti di trascrizione di una materia interiore. Ce la possiamo figurare musicale, o anche fatta delle parole di quei velocissimi pensieri che si rincorrono senza una precisa destinazione e accavallandosi: dove chiasso e silenzio, più che confliggere, si passano repentinamente il testimone. Perciò non può esserci quasi mai in questi lavori troppo spazio per la geometria oltre quello che risiede nella disciplina dell'installazione e nella composizione


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lucia schettino

lucia schettino

Lucia Schettino’s research, in an original and actual way, connected itself to the informal art tradition. Actually it didn’t seem she isinterested to the argued topica boutfigured art and abstract art, she doesn’t see minfluenced to recognisability of signs, which don’t avoid, when occurs, to refert hem self to human body, nature and landscape or to everyobjectshewants use for the creation of herartwork, creatingit ex novo or derivingit from fragments of images or print texts of books, jurnals, photos, or previous artworks or incisions. In her artwork, sometimes, collage comes out to the square and rectanglesurfaces, in thatcanonicspacethatis the paper or canvas. Her art work refuses the idea of a closed and defined abstract space, in which are fixed the usual media of painting or the unusal ones of collage, which introduces viability in the costruction.

Stop pretending

- You don’t have to get it