My paintings are fueled by my love of abstraction. The practice of making them involve appropriating from many schools of art and diverse art movements from the early 1900s to the present. My work has been described as minimal, concrete, reductive, geometric, hard-edged and non-objective.
For the most part, I do not adhere to a "recognizable style" and instead depend on my intuition and shift back and forth within different parameters. Sometimes I work in pairs but have also worked in series as...
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